Obviously, I HAVEN'T watched it, but I'm so glad it tanked.
RelishMix, which also foresaw this disaster approaching on social media chatter,
“Angels is the latest example in a ‘woke’ effort to reboot a franchise that many were not all that interested in to start with. In fact, many references to the 2000 version get a call-out as a reason this one doesn’t seem to compare – whether it’s the cast or the action teased from the film. And, as observed with other recent films, some action/adventure, unfortunately fans say they’re steering clear of this one because of its ‘girl power’ messaging.”
Perhaps Sony should have spent more, because
Charlie’s Angels biggest problem is that it has very low-octane, we’ve-seen-it-all-before action scenes. Heck, there’s more action in a 1980s Chuck Norris movie. After watching
Charlie’s Angels earlier this week, I put the first two McG movies on Netflix, and it was like watching
Star Wars in comparison to this reboot, with his sharp production design, camera movements, unique action, and comedy set pieces, and, of course, the first movie blasted Sam Rockwell out of a cannon. Understand that the first two movies in the series were able to compete and hold their own in an action space where, yes,
Mission: Impossible and
Fast & Furious (the first two films came out in 2001 and 2003) also thrived.
Mission and
Fast sequels distinguish themselves on multiple 10-minute action sequences that we’ve never seen before on screen; it doesn’t matter who the villain is. This
Charlie’s Angels doesn’t have that. And not even a super-duper hit song “Don’t Call Me Angel” for the movie from Ariana Grande, Miley Cyrus, and Lana Del Ray can trigger lines at the multiplex; the music video clocking over 116M views on YouTube, per entertainment social media monitor RelishMix.
How ‘Charlie’s Angels’ Fell From Grace At The Box Office With An $8M+ Opening